Our first lesson of photography was very interesting as we started by learning about our tutors work and careers and how they have developed style. It was a learning experiences as it made me realise just how many exciting opportunities there are to travel and photograph beautiful parts of the world, and how its beneficial to self publish books. Alyss' projects involved working for travel companies, photographing holiday destination to appeal to would be holiday makers, i learned from this as it made me consider how photography is a business, how i should try to photograph something that is marketable and can be made to profit. While working in the states she worked on her project of photographing the many different people she met walking the huge length of Broadway, New York. i find portrait photography very interested especially when done on the street like this, i feel its good to give the viewer a sense of sonder; making them realise that everyones life is just as relevant as their own, and that everyone has a story.
Othellos work contrasted this, his work examined male masculinity, by confronting body image standards and mans own expectations of himself in the work place. I felt his work using nude imagery in places such as coal mines and trading floors symbolised how men put up walls to cover themselves and hide who they really are, and the pictures exposed this as a sham, and that men are all the same underneath a hard exterior thrust on them by society.
We also studied specific photographers, two that i feel have influenced me and my interest in portrait photography are Vivian Maiers and William Eggleston. What struck me most about their work was that it went against much of my preconceptions and worries about photography; while i saw photography as an extremely disciplined science, they approached their work extremely casually, the subjects often totally unaware pictures were being taken, Eggleston claimed that he worked "semi automatically" and did not allow himself to labour over pictures, as i worried i would have to when working. This informal, non perfectionist approach is how i hope to work when i head into Southend to photograph Adventure Island, as i believe i will be able to work better and more creatively when not overthinking my craft.
We then looked at the different types of lighting but i feel i will work more outdoors rather than focusing on studio lighting. i will however focus on experimentation with different shutter speeds and how that effects my images.